I live 10 minutes from the Rijksmuseum here in the Netherlands, lot’s of paintings to see with cracks, like Vermeer. Of course, those non-separating paints might not have much else to recommend them. I think they put a whole dead cow in it too, it takes your mind to another level. But the WN is a useful color, and at $6.63 vs. $41.96 (ASW prices), I don’t see how anyone could be faulted for using it instead! Sơn Dầu Mussini Schmincke. Schmincke has been producing artists' colors since 1881. Shop now. Finest artists´ resin-oil colours. As a buyer, I do check an artist’s process, and don’t purchase works that I suspect won’t hold up well, will fade, or will need restoration down the road. As an artist, painting in as archival a manner as possible is important to me, and takes no additional effort nor expense. Schmincke small box with Da Vinci travel brush 12 half pan set on Amazon- $90. The excellent drying properties of MUSSINIresin-oil colours come from the fact that the oil parts of the colours increase in volume by absorbing oxygen, while the solvents of the natural resin solution evaporate, thus ensuring a shrinkage in volume. Schmincke Mussini Fine Artists' Resin Oil Colors are the only oil color that uses the formulas of the great masters to provide unparalleled brilliance and luminosity in your paintings and a truly reliable paint film. My other oil paint choice was Daniel Harding. So what? The high luminosity and the best lightfastness of all colours and the pleasantly pasty consistency are highly valued by oil painters all over the world. NHÀ ỦY THÁC VÀ PHÂN PHỐI ĐỘC QUYỀN HỌA PHẨM SCHMINCKE TẠI VIỆT NAM Schmincke Mussini oil colour are unique throughout the world for their use of natural resin binders, instead of conventional oil binders. Several months ago, I set out to review Schmincke watercolors. Exceptional glazing colours. Schmincke large box, without brush, 12 half pan set on Amazon- $61. Thanks Jamie for your further info and concerns. I only have a few tubes of Mussini. Schmincke The German based paint makers Schmincke make beautiful paints across all mediums - from oil to acrylic to watercolour and gouache. £18.00. Schmincke Mussini Oil Paint 35ml Naples Yellow Light no4. Schmincke Mussini Fine Artists' Resin Oil Colors are the only oil color that uses the formulas of the great masters to provide unparalleled brilliance and luminosity in your paintings and a truly reliable paint film. Hudson Valley Sketches -- Reviews/Lightfastness Tests/Art Materials [/url] Nobody’s going to be shelling out hundreds of thousands of dollars in the future to restore my paintings and keep them in museum-type environments. Schmincke Mussini Mediums are specially formulated for use with resin-rich oils such as Schmincke Mussini Oils. Its deep pigmentation also means you don't need to use as much paint to get beautiful results. But that’s my 2 cents! Painter 101 — it really depends on the pigment and how it is ground. Schmincke The German based paint makers Schmincke make beautiful paints across all mediums - from oil to acrylic to watercolour and gouache. I believe Schmincke let the paint “mature” for 3 months before they put it in tubes to prevent that problem. Oil colours consist mainly of pigments and binding agents. The fact that many of those works are in such poor condition should be a lesson to us. Schmincke's Markus Baumgart explains how Schmincke MUSSINI® fine artists’ resin-oil colours are made. Brentfords Teddy Fleece Duvet Cover with Pillow Case Thermal Warm Bedding Set. If you are looking for paint of exceptional depth of color, Mussini is an excellent choice. One year from now, you'll wish you had started today. Schmincke Mussini Oil Colors The high-quality artificial resin oil paint for the highest demands contains only the best-quality artist pigments and a binder composition of premium flax, poppy or sunflower oil with various proportions of proven natural resin solutions. Did your paintings experience yellowing or cracking? They are fantastic to work with. As with most things in life, moderation is a good thing! Almost all manufacturers makes some compromises to provided a somewhat harmonious consistency among their colors, some overdo it. Available in following sizes: 108 colours in 35 ml tubes, 32 colours in 150 ml tubes. Or did you just stop using Mussini because you wanted to avoid any supposed problems? You say you “tried” these paints, and then stopped using them. Has anyone used these? It is not an indicator of inferior paint. Some paints are naturally creamy (lead, for one), others are gritty (often the earth colors) and some frequently are oily (transparent colors). The topic ‘MUSSINI oil paints?’ is closed to new replies. They also have a nice range of transparent and semi-transparent colors, which is wonderful for artists who work in glazes. And then I received a few of their paints along with Schmincke's massive 23 … Mussini offers brilliance and purity with the highest lightfastness. Schmincke Mussini Germany, 101 Colours A beautiful resin oil paint. With Mussini, I make my own glazing medium mixture of Liquin alkyd, standoil and a little bit of Spike oil. The globally unique artists natural resin-oil colours MUSSINI arise from the tradition of Italian painting schools and were named after Professor Cesare Mussini, who worked at the Academy of Fine Arts in Florence. Does all good quality paint not spereate in the tube, or is this just Mussini? Harding is an excellent brand and does little to alter the natural handling characteristic of each pigment. I stopped using it because I have taken all damar out of my painting process, whether incorporated into the paint or used as varnish. If they yellow or crack over time due to the damar.. How about the oil in “normal” paints, don’t they yellow over time also? Review. In restoration, it can be hard to remove the varnish without removing the paint, since the resin in the paint can also dissolve with the solvent that removes the varnish. The MUSSINI range comprises a total of 101 colours + 7 gold shades; 64 of these are single-pigment colours that guarantee brilliant mixing results. Those who own my paintings aren’t wealthy for the most part. Norma is a quality (non-resin) paint, but of a secondary level (far more mixed pigments and hues). No special handling needs to be done and I have even blended them with alkyd Griffin paints. The binders of the oil paints are drying and semi-drying oils of plant origin, for example linseed oil, poppy seed oil, safflower oil and sunflower oil.. If you decide to use them, keep in mind that they have resin in the paint. Schmincke – Mussini® Oil Paint Set $ 180.28. Keeping oil paint on a surface for hundreds of years is no easy task, and needs all the help it can get! Why is everybody so afraid of yellowing and cracking? Following the traditions of the Italian Art School - they are named after Professor Cesare Mussini, of the Academy of Fine Art in Florence and adopt his long-standing formulations using only the best traditional artists' pigments along with several newly developed pigments - in the highest possible concentrations. I falsely believed that I could paint with Schmincke for a few weeks to formulate my opinion and then be ready to write this review. Full Pan Set, 12 Colors in a metal box at Dick Blick- $140. Description. Paint like the old masters. Add to cart. I have nearly a complete collecton of Mussini, and have used them extensively. In other words, Mussini is not over-saturated with oil and resin. Well hopefully, by looking at what happened to these gems of the past and listening to what the conservators say are good painting practices and would prevent these problems, we can arrive at a more archivally sound working method. The pigments used in artists’ oil colours are organic and inorganic, synthetic and of natural origin. Seit vier Generationen ist Traditionsziel des Hauses Schmincke die Herstellung von bestmöglichen, feinsten Künstlerfarben. Many Doak paints seem to be particularly oily throughout the tube, but his colors are so fantastic, I have to put up with oily thin paint! I’ve tried these, but have stopped using them. Hopefully working methods improve over time by learning from methods of the past and the effect of those methods over long periods of time. 35 NEW Schmincke Horadam Watercolours; Oil Paint. Schmincke oil colours MUSSINI® Wooden box stained walnut 15x35ml tubes 1x white 120ml,brushes, mediums, charcoal, double palette cup,palette, palette knife 70615 Schmincke Mussini 70 715 097 Artist Oil Paints Special Edition Each of us has to make that decision for ourselves. I agree that Mussini yields a beautiful result. Schmincke Mussini Fine Artists Resin Oil Colors. So — how intensely did you “try” them (how long, or how many paintings)? For MUSSINI, only the best traditional and some newly developed artists' pigments are used in maximum concentration. The reason why I was interested in the Mussini line is that I heard they dry faster as well. The top brands use little or no stabilzers or “fillers”, although occasionally some pigments need them. Hudson Valley Painter[/url] Mussini is the “top of the line” paint from Schmincke. Schmincke - Mussini® Oil Paint Set quantity. The globally unique artists natural resin-oil colours MUSSINI arise from the tradition of Italian painting schools and were named after Professor Cesare Mussini, who worked at the Academy of Fine Arts in Florence. Coincidentally, today I bought seven more tubes of Mussini. Mussini has an unlimited ability to mix and combine with all Schmincke oil colours - including Norma, Akademie & College Oils. Service: I don’t have a museum’s budget to restore them! Night, apparently Griffin contains a little bit of white spirit in it, so you are really breathing in solvents from the paint on your canvas all the time. I like being able to let buyers know that a painting will last many lifetimes. Jamie — you raise many questions from your statements. Love a great deal. In addition, the range has 42 exquisite, transparent and semi-transparent colours. All College ® Oil colours can be mixed and combined with all other Schmincke oil colours (MUSSINI ®, Norma ® Professional, AKADEMIE ® Öl color) and the extensive oil mediums. I’m no Vermeer for sure. But I also know that to many artists, that is not a priority. I think it’s a big statement to say that Mussini will turn yellow and crack over time. The recipe of Mussini oils in based on the oil paint formulations of the Old Masters. That s because Mussini colors are formulated with less traditional oils replaced by… The paint is of high quality, and the experience of using this paint is delightful. Adding too much oil as medium while painting is not good for the paint film either. Home › Forums › Explore Media › Oil Painting › The Technical Forum › MUSSINI oil paints? 4 in stock. Schmincke also makes a line of paints that does not contain the resin. Some excellent paints, like those from Doak and Williamsburg, often separate. I suspect that Vermeer would also use current knowledge, and probably did for his time! Discover prices you can’t resist. Oil Paints × Mussini Oil Colours 35ml ... Mussini Oil 35ml S3 Schmincke Paynes Gre : 1: $32.10. The consistency and handling are near perfect — neither too thin, nor too thick. In my opinion, excess use of these ingredients often also impairs the working qualities of the paint. Exceptional dark values, such as atrament, dove grey, sfumato, but also delicacies such as cobalt turquoise, Byzantine blue, Caesar purple, Florentine red, yellowish-green Ural or Mediaeval yellow represent the unique fascination of MUSSINI. Mussini is the “top of the line” paint from Schmincke. Modern and Traditional colours. I posted a chart on the Vermilion thread where the pigment content of the WN Cad Red is shown to be weaker than the corresponding Old Holland Cad Scarlet and Cad Red Medium. This allows for more luminous, stable colours. Hi Gunzarro. Be sure you use a synthetic varnish if you use Mussini paints, which can then be removed with a milder solvent that will not remove the resin in the paint. Schmincke Watercolour, Oil Paint and Pastels Schminke has been producing high quality artists’ colours since 1881. This stuff has a very bad chemical smell. So what? As for oily paint, itn’t quality oil paint supposed to be be smooth, as there is no thickners in them? Personally, I’m not a fan of oily paint, whether it is Doak, Williamsburg or Rembrandt. I made an underpainting with that stuff and it made me feel dizzy and disorientated! ... Oil colours. As well as traditional oil mediums. You’ll get that final luminosity in the end anyway when you varnish the painting after it’s dry. Schmincke Mussini Fine Artists Resin Oil Colors. SKU: MUSSINIOILKIT Categories: Gift Ideas, Gift Sets, Oil Painting, Oil Painting Sets, Oil Paints, Painting, Schmincke, Schmincke Painting Sets. My paintings will have to take care of themselves and withstand the test of time with minimal assistance! Globally unique artists natural resin-oil colours, 101 colours + 7 gold shades with maximum brilliance and purity of which 64 single-pigment colours̴, A wide variety of single-pigment colours̴, Premium artists pigments in highest concentrations̴. (4 parts Liquin, 2 part standoil and 1 Spike) It smells great! Funny thing about what you’re telling about Griffin alkyd paint. Current promotions More > Mediums. Oil Sets; Old Holland Classic Oil Colour; Michael Harding Oil Colour; Williamsburg Artist Oil; Schmincke Mussini Oil Colour; Schmincke Norma Oil Colour; Langridge Artist Oil; Art Spectrum Artist Oil Colours; Winsor & Newton Artists Oil; Charvin Extra Fine Oil; A good purchase. I also read that MUSSINI DON’T seperate in the tube whilst waiting to be sold. The use of resin produces an oil paint with outstanding luminosity and brilliance. Schmincke Mussini Fine Artists' Resin Oil Colors are the only oil color that uses the formulas of the great masters to provide unparalleled brilliance and luminosity in your paintings and a truly reliable paint film. No problem. I have never experienced any drying problems or paint cracking or unusual yellowing. Even optimised drying times. I take that as an indicator that the makers are not so worried about amateurs returning their “defective” paint to the art store, and instead trust that their customers are looking for other qualities than non-separation. Thank you! It’s my own personal choice based on what I’ve learned about paint and materials. Their business began in 1881 with the initial manufacture of their oil colours which followed unique traditional paint making methods that had been lost for 100 years that bound the paint in resin rather than the more usual linseed oil. Mussini resin-oil colors are truly the pinnacle of their paint making experience. Those might be a better bet. Jim. This allows for more luminous, stable colours. If your planning to pick up your order please enter STORE PICK UP in the coupon code section at check out. £10.99. Schmincke Akademie Oil AKADEMIE® Oil color ensure brilliant results due to the many single-pigment colours, both directly used from the tube and as mixtures. :p, Viewing 15 posts - 1 through 15 (of 15 total), This topic has 14 replies, 5 voices, and was last updated. If you are talking about oil seperating in the tube, Turlogh is right. I didn’t want to use Griffin becuase I absoloutly can’t stand the smell, and they give me a bit of athsma everytime the tube was opened. These balancing processes create tension-free and even drying of the colour layers and thus guarantee the longevity of the painting. If you were to only use Mussini and Harding, I am sure you could be very happy with your results. “The unique beauty of MUSSINI is due to the addition of a small amount of the very best natural Indonesian dammar resin, which actually increases the refractive property of the colour. Norma ® Professional is a modern, environmentally-friendly formulated oil colour of the finest quality for professional and demanding oil painting.The balanced range of colours consists of 84 brilliant, traditional and modern colours including 27 high-quality transparent colours and several unique special colours. walnut oil, safflower oil, poppy and sunflower oil, are added optimize the formulations. MUSSINI® ... Step-by-step instructions of different painting techniques More > Promotion. I meant Michael Harding:) . Resin yellows, becomes brittle and cracks over time, and will cross-link with damar varnish if you varnish with it too soon. The special feature of these finest professional artists colours is primarily due to the basic knowledge of the old masters, which has been retained until today, of combining selected artists' oil with natural resin. I recommend this product to any artist working in oils because one needs just a small amount at a time due to the high pigment content. Every year Wet Paint sells a limited edition 12 pan set for a really good price. 10 x 35ml tubes, packed in a wooden box. Makers add various ingredients such as stearate and wax to prolong shelf life and prevent separation. I don’t use ONLY Mussini — I use many of the other top brands, and they are all inter-mixable, rest assured. I live 10 minutes from the Rijksmuseum here in the Netherlands, lot’s of paintings to see with cracks, like Vermeer. [/quote] I know other artists who are similarly impressed with Mussini, and have even more experience in their use, and none have had any problems. Shelf life, to me, is not a significant indicator of paint quality. Old Holland. The recipe of Mussini oils is based on the oil paint formulations of the Old Masters. The quantity of resin in Mussini is not a great amount of the total volume — from my estimates, less than 5% and that is acting as part of the binding oil mixture, not on top of a normal quantity of oil for grinding the paint. The excellent drying properties of MUSSINI ® resin-oil colours come from the fact that the oil parts of the colours increase in volume by absorbing oxygen, while the solvents of the natural resin solution evaporate, thus ensuring a shrinkage in volume. Schmincke Mussini Artist Oils, developed from a precious and secretly guarded recipe passed to Schmincke in 1881 from Florentine Professor Caesare Mussini, use the Old Masters’ knowledge and experience with traditional resin-oil colours. Nothing out of the ordinary, other than exceptional color quality and a tremendous range of pigments. If by “good quality” you mean “long shelf life” then yes, good quality paints don’t separate. (That isn’t to say that good paint always separates, just that I don’t think it’s signficant either way.). I wouldn’t anticipate seeing any adverse effects for 60 years or so, and I won’t be around then to see them either! As well as new production, I have acquired Mussini from collections dating to the 70s and 80s and these paints are still useable and nice. This makes Mussini unique in the arena of manufactured paints. I use Mussini, very smooth professional highly pigmented paint. It costs no more and takes no extra time to produce a painting that will stand the test of time as well as possible. Depending on the pigments, other oils, e.g. If I open a tube of paint and notice separation, I squeeze the paint onto a paper towel, wait a few seconds for the excess oil to soak out, then transfer it to my palette with a knife. 35ml Tubes Mussini artists' natural resin-oil colours are unique throughout the world. Many of my works will remain in my family. Mussini is very consistent in its handling and appearance, due to the added resins and special oil blends, as opposed to loading the pigments with fillers or stabilzers of other kinds. There are 108 colours in the range, including 7 gold shades. Make offer - Schmincke Mussini Oil Paint 35ml Naples Yellow Light no4. Some colours call for other painting mediums or additives, in minimal and individually prescribed amounts, to homogenize the formula and stabilize drying. Enquire. Ultra-highly purified linseed oil is clearly the predominant component. A652.402: Mussini Oil … Schmincke Mussini oil paints use a highly traditional resin and linseed oil combination which is said to dry more evenly and prevent wrinkling. It will happen anyway, some day. Yes, linseed oil yellows over time. The individual compositions of the pigments with traditional binders such as linseed oil, safflower oil and sunflower oil and parts of the best natural resin solutions (damar) provide excellent light refraction properties, increased luminosity and particularly durable colour layers.̴Ì_. Schmincke Mussini oil color are unique throughout the world for their use of natural resin binders, instead of conventional oil binders. That’s because Mussini colors are formulated with less traditional oils replaced by Damar Resin. Mussini finest artists’ resin-oil-colours from Schmincke, are unique artists’ colours produced by means of a particularly sophisticated manufacturing process to meet the very highest requirements. The paints are made by hand, resulting in vibrant colors. With fine watercolours and artists’ oil paints, Schminke also produces pastels and paint sets, all manufactured to be top quality for artists across the world. Painter 101 — did you mean Michael Harding (or Daniel Smith)? That s because Mussini colors are formulated with less traditional oils replaced by… The Mussini Paint line is manufactured in Germany by the Schmincke Paint Factory, very well known as the producers of the finest pastels and watercolors. Schmincke is my favourite brand for oil paints because the pigment content is high, there is a vast choice of colours and the consistency of the oil paint makes it easy to mix and apply. And, how many tubes did you have — a couple tubes, a dozen or a whole collection? Schmincke Mussini oil colour are unique throughout the world for their use of natural resin binders, instead of conventional oil binders. Other artists certainly have the option of making different choices from among the myriad of selections in paint and supports, for whatever reasons they choose. We know far more now about pigments, vehicles, varnishes, paint additives, and surface preparation. Schmincke oils are stored for three months before the tubes are filled. As I only have time to paint every now and again, it’s important that my paints can last quite a long time in the tube. I’m interested in their line since their apparently more luminous and rich than ordinary linseed oil paint. But there are many good options without the damar, so I elect to use paints that don’t contain the damar. [quote]And how many of us use mediums based on damar? :), From Schminke’s site; I also have quite a few of the Norma paints, but only about 1/2 as many as the Mussini. It will happen anyway, some day. This allows for more luminous, stable colors. Mussini Resin Oils have a very smooth, buttery consistency and are available in 102 colors. The quantity of resin in Mussini is not a great amount of the total volume — from my estimates, less than 5% and that is acting as part of the binding oil mixture, not on top of a normal quantity of oil for grinding the paint. These balancing processes create tension-free and even drying of the colour layers and thus guarantee the longevity of the painting. 45 likes. Cheaper and room for more pans in the rails. (thanx to Spike) and if painted in thin layers, it’s touch dry the other day. Even opening a fresh tube of Mussini, there is often a droplet of pure oil preceding the pigment. If they yellow or crack over time due to the damar.. How about the oil in “normal” paints, don’t they yellow over time also? Most lower level paints, such as WN, Grumbacher and now possibly the reformulated Sennelier, use stabilzers and soaps to extend shelf life and add a buttery consistency throughout their line. Mix them with oil colors at a ratio of no more than 10-20%. The recipe of Mussini oils in based on the oil paint formulations of A652.401: Mussini Oil 35ml S4 Yellowish green : 1: $39.16. Their business began in 1881 with the initial manufacture of their oil colours which followed unique traditional paint making methods that had been lost for 100 years that bound the paint in resin rather than the more usual linseed oil. 35ml Tubes: Schmincke Norma Germany, 84 Colours Environmentally friendly. That’s what makes it more “luminous”, but it comes with the price of what happens when you have resin in your paint! Why is everybody so afraid of yellowing and cracking? And how many of us use mediums based on damar? The layers of colours dry evenly, the danger of wrinkling is reduced, and the result is a surface of spectacular strength and brilliant glowing colour.”. Rich pigmentation puts this brand on the pricier side. All quality paint has this tendency to some degree. 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